The vanishing point of is the conceptual image of the 'blind spot' of the evaluators of aerial footage of the IG Farben industrial plant taken by the Americans in 1944. Commentaries and notes on the photographs show that it was only decades later that the CIA noticed what the Allies hadn't wanted to see: that the Auschwitz concentration camp is depicted next to the industrial bombing target. (At one point during this later investigation, the image of an experimental wave pool – already visible at the beginning of the film – flashes across the screen, recognizably referring to the biding of the gaze: for one's gaze and thoughts are not free when machines, in league with science and the military, dictate what is to be investigated.
Farocki thereby puts his finger on the essence of media violence, a "terrorist aesthetic" (Paul Virilio) of optic stimulation, which today appears on control panels as well as on television, with its admitted goal of making the observer into either an accomplice or a potential victim, as in times of war.
Original title Bilder der Welt und Inschrift des Krieges Director, scriptwriter Harun Farocki Assistant director, researcher Michael Trabitzsch Cinematographer Ingo Kratisch Animation camera Irina Hoppe Editor Rosa Mercedes Negative cut Elke Granke Sound Klaus Klingler Mixing Gerhard Jensen-Nelson Narrator Ulrike Grote Production Harun Farocki Filmproduktion, Berlin-West, with financial support from kulturelle Filmförderung NRW Producer Harun Farocki Format 16mm, col., b/w, 1:1,37 Length 75 min. First screening 10.11.1988, Duisburg (Duisburger Filmwoche)
All Works of this Decade:Image and Sales or: How to Depict a ShoeCine City ParisImages of the World and the Inscription of WarGeorg K. Glaser – Writer and SmithImages-WarDie Menschen stehen vorwärts in den StraßenFilmtip: Death of EmpedoclesIndoctrinationFilmbooksFilmtip: Kuhle WampeCatch Phrases – Catch Images. A Conversation with Vilém FlusserAs You SeeFilmtip: Tea in the HaremBetrayedThe Double Face of Peter Lorre'L'Argent' by BressonInterview: Heiner MüllerMarie Straub and Daniéle Huillet at Work on a film based on Franz Kaka's 'Amerika'An ImageShort Films by Peter WeissBefore your Eyes VietnamView of the City